Weekend.

Sep. 8th, 2009 07:05 am
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Another awesome weekend in the drizzly northwest with my sweetheart. Now it's back to my routine, and I miss her already, but I had a great time.

Things I learned this weekend:
-A very basic waltz pattern
-The layout of the South part of Portage Bay, as seen from a 2-person kayak
-My girlfriend has good taste in friends
-Bananagrams is the same game as speed scrabble
-When Audra is working on her laptop and we're sitting on the couch and she hooks her legs over mine and leans into the arm of the couch, and I get to listen to her typing and talking to herself while the rest of the world goes on, I feel just about home
-I am impatient


Also: Nick picked me up at the airport, and we found Jesus.
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I get to go see Audra today! I've been looking forward to this trip all month. Vegas: You're in charge while I'm away. Try to behave yourself.
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First: James, you're right: The chase scene from Road Warrior is a classic. Shame on me for thinking the one from Ronin outclassed it.

I finally caved in and got Netflix, and... well, some tiny inner snob in my head keeps thinking this much amusement is beneath me, but I'm really digging it. The integration with set-top devices like my XBox turns a merely *smart* service into something downright space-age. It's like having some weird little truck stop video store right in my living room. The new feature that lets you form a 'party' and synchronize playback between two users' screens, across great distances, is also awesome. Even if the network can't quite handle it. Anyway, take this as my grudging recommendation of netflix. Only grudging because I've held out for so long, I feel like I ought to have something to show for it.

My fall semester started today, too. So far: The prof for critical thinking is a bit of a mumbler, but he also used the word 'mollycoddle' in a sentence, with no irony whatsoever. That counts for a lot. I'll get to know the rest of my classes later in the week.

Lastly, I'm remembering why I splurged on a new laptop last month. At the moment, Nuit is happily perched on my lap, letting me review syllabi for the coming semester while I scarf edamame and watch Beyond Thunderdome on a whim. I think this 21st century crap may be going somewhere, after all.
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C: Jeez, first yours, then my brother's, then my dad's, then your mom's. Lots of September birthdays!
A: September babies are common.
C: I guess.
A: It is because December is a good month for staying in bed.
C: Every month is a good month for that, dear. :) December just isn't good for anything else.
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For those nights when old Donna Reed reruns just won't do the trick:

Your local 99-Cents Only store is there, for all your supplements-of-ill-fame needs.

In other news, District 9 is either an action-packed think movie with lots of gore, or a very thinky action movie with lots of gore. In fact, it might spend the whole movie transitioning from one to the other, but there's a really elegant shift in perspective happening at the same time, which I think excuses some of the excessive explodey-ness. Either way, it's a sci-fi story you haven't seen in movies before, and it achieves incredible tension, purely by dint of good direction. Neither a popcorn movie nor a genre classic, but worth a serious watch, if you're into that sort of thing.
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I've had a hard time reading the news about healthcare legislation, lately. I'm very interested in where this goes, but the progress of the debate, and the coverage around it, have really made my skin crawl.

Here's why... )

I'll probably have more to say on this later. For the last five years, I've been working in the industry of administering and auditing public healthcare programs here in the U.S., so I do have a little perspective on what's right and wrong with those programs, and the industry around them. For the moment, though, my strongest reaction is just revulsion. We have prevented a debate that we needed to have.
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Allow me to put your doubts to rest. Mega Shark vs Giant Octopus is exactly the movie you think it is. Terrible? Yes. Fucking awesome? Double yes. Lorenzo Lamas and Debbie Gibson star in a small-budget disaster movie that manages to encompass global warming, seekrit Navy shenanigans, evil Japanese corporations and, yes, love, all while telling the story of a mega shark and a giant octopus... and their dream. The defining moment in the film is right on the damned box cover; A shark the size of an aircraft carrier has leapt from the ocean, gnashed its teeth and bit a jumbo jet in half. If you're looking for context, there is none. The shark just thought the integrity of the film demanded it.

The movie made the perfect adjunct to a night of feeding my friends. We all had a great time. Bonus points for getting James & Beca hooked on Castle Crashers.

The evening ended, as is becoming typical, with me and Nick watching something especially strange. Last night it was - *ahem* - Tokyo Gore Police. ...I'm pretty sure it's supposed to be art. So the only problem is, now if I say I don't watch movies like Tokyo Gore Police, I'm perjuring myself. I can see that coming up, say on a loan application, or a job interview.
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Interesting segment on yesterday's Democracy Now, about the drug war in Mexico. Their guest, journalist Charles Bowden, did a great job connecting U.S. drug policy with the human rights situation in Mexico. This piece struck me as a prime example of what alternative news outlets do best.

Second, I bitch at my senator enough to be on his mailing list, and there was a line from his latest email blast that made me smile: Talking about building up Nevada's clean energy industry, he said "Our solar, wind and geothermal resources can provide jobs for generations of Nevadans..."

That's a really pretty way of saying how much blazing hot, wind-blasted, uninhabitable wasteland is just outside our back door, here in Nevada. I get a kick out of seeing that become a precious resource, all of a sudden.
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I just found out that some old friends' house in Agoura, California, where I spent a staggering portion of my high school years, has been foreclosed on. The news has affected me more than I would have thought. It's hard to imagine a world where I could walk down that street, knock on the front door, and have no one answer.
My dad likes to say you can tell it's time to move on, when they start striking the set around you. Maybe 'moving on' can mean a lot of things.

In happy news, I had a great weekend with Audra. There were a couple of fun outings, and we got to catch up with her family a little, too. Basically, though, we spent the weekend just geeking out over the luxury of face-to-face communication. ...and I guess 'face to face communication' can mean a lot of things, too. :)

Hope you're all having fun.
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Hey, I haven't updated this thing in about 4 weeks, have I? Life's still good! I just finished my English class and school is awesome. Just at the moment, I'm in Seattle with Audra, riding the Bainbridge ferry, just for the fun of it. Back Sunday. If you're lucky. :)
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Hey, the first day of school went well! The people are cool, the workload is manageable, and I'm feeling like I'm off to a good start. This, at any rate, is vastly preferable to worrying and wondering what it'd all be like.
Feeling pretty accomplished, at the moment.

Orientation

Jun. 3rd, 2009 10:34 pm
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I got to sneak out of work early today, so I could get to the student orientation at the college. I can count the days until class starts on one hand, and milestones are coming close and quick: I've now listened, for the first time ever, to an hour and a half of nervous lecturers reading powerpoint presentations. Soon I'll be buying textbooks for the first time ever. Then, school will be the present, instead of the looming future it's been for so long. I think I'm ready for that.
 
Right now I am chilling at home and reliving nice memories and listening to old Eno and drinking Evening in Missoula, and it is all very, very good. It's been a very strange week, but who knows? With a good night's sleep, maybe it'll all fit in one head.
 
Good night.
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I don't know why songs always get stuck in my head in pairs, these days. But, here are the current troublemakers.

Earworm of the week #1 is Caustic's remix of Perfection Plastic's Bad Girls, off the new freebie album of remixed tracks from Echec de la Matiere. It's tongue-in-cheek hygiene film powernoize that plays out in a series of changes that never loses momentum - I haven't paid much attention to Caustic this year, somehow, but I ought to start. The guy seems to recognize what was right about the original track, and finds a way to increase the stomp factor without weighing it down. I would definitely dance to this. (Hint, flist DJs, hint.)
 
You can grab it here, but I'll add the caveat that it's very much genre-insider dance music. If powernoize isn't your particular crayon in the dance-industrial box, don't expect it to sound like much of anything. (Also be warned that criticisms that it's repetitive, primitive and sounds like crap will age you by 5 years per utterance.)
 
#2 should be a flashback, no matter who you are: Elvis Costello's Party Girl. Due to circumstances I'll explain soon-ish, I've  been prowling my collection for mix CD fodder, the last couple of days*, and this is one song I've always wanted to work into a sweetheart mix.
 
 It's from Armed Forces, which I'll hold up to any other rock album, ever, as a lyrical masterpiece. Somewhere in all its poetry on the politics of control, the album sneaks in something close to a straight-up love song. But it's a love song in the E.C. tradition, which means its love layered with all of the fear and hope and impatience that make the real thing so dangerous. It's about longing, really, but it's about the moment where longing has to give way to something else. "I can give you anything but time." Worth a repeat listen, every once in a while.
 
*(And no, it's not who you're thinking! Stick around. I've got more plot twists than a Hitchcock movie.)

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On Saturday, I went to a party thrown by my buddy Chris, who I've worked with for the last couple of years. She was celebrating being finished with the treatments for breast cancer she's been going through, for most of the past year - I can only rely on other people's descriptions of that process, thank God, but ending it sure sounds like a good occasion to celebrate, and she went all out. There was a bouncy house, guys. No fooling. More specifically, she called it a Thank You party, from her, to all the people she considered her moral support during the treatments. I thought that was sweet - Chris is, among other things, a very tough person, outwardly, so I think she just wanted to be sure and say 'thanks for being there' in a way that no one could miss.

The party itself was interesting - she invited people from a few different circles she runs in, so there were a lot of new people to meet. But around the fourth or fifth Komen Foundation/pink ribbon/"Peace - Love -Ta-tas" t-shirt that I saw, I was struck with what a moment it's become for breast cancer, lately.

I mean, you really can't throw a stone without hitting one of those ribbons these days, can you? There is a lot of campaigning going on, and it's an odd thing, sometimes. (I mean, really - is someone 'on the fence' about cancer? I there someone who is not, strictly speaking, aware of this disease?) Fundraising for research is going on, obviously, but there's something else happening, too, and it's fascinating, to me: people are actually out campaigning for compassion, and trying to end the isolation that so often accompanies severe illness. That's not a vocabulary we use much among strangers, in this culture, and I am fascinated by the way the conversation is unfolding.

And most surprising of all, it's having an effect. I am cold on imagining heroism where only misfortune has actually happened, and breast cancer awareness campaigns do teeter on that line, occasionally. But, I approve whole-heartedly of anything that lets hurt people look past their own pain, and place themselves in a bigger story. And I'm amazed by the change that's come about in the experience of cancer, just in the last decade or two. It's gone from something that happens in a tiny little hospital room, cut off entirely from the rest of human life, to something that can be the subject of public discussion - even a party. That's an accomplishment, isn't it?

boom

May. 27th, 2009 08:59 pm
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 Tonight was good. I left work feeling very stressed, tied up with lots of morbid preoccupations, but I met up with Nick, and we rolled out into the desert for some much-needed ballistic therapy. I sometimes describe shooting, to non-shooters, as 'redneck qi gong', and that was just what I needed, tonight; A chance to get out of the city, to let the body speak, and to find some peace. Worked like a charm.

Also: We got to chuck 12-gauge slugs through a DirectTV dish someone had dumped at my favorite gravel pit. It was epic. Most fun you can have with one of those things, for my money.

Hope you're all feeling slackful and unburdened.

The paper.

May. 26th, 2009 05:57 pm
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When I was in kindergarten, a teacher once asked me 'what does your father do?' And my answer, as mom still likes to reminisce, was 'he reads me the Sunday funnies.' What? It seemed like a perfectly relevant answer, at the time. If she'd asked me his job, I would've told her he was an aerial photographer, and yes, I could spell it. But reading me comics from the Tulsa paper on Sunday mornings was, to my mind, a much more important part of his weekly routine. He was introducing his son to the power of small, short-cycle local publishing. And it worked. I've grown up with a healthy reverence for newspapers. I have friends in the business, and occasionally heroes. Hell, I was at the Review-Journal's last Christmas party. I respect the paper.

And I'm only telling you this so it won't sound like a grudge, when I say that the newspaper industry has been the sole architect of its own demise. I am genuinely sorry to see them disappearing. The loss of an outlet is very real. But there's something in the way the industry is trying to eulogize itself, lately, that sets my bullshit detector off. Here it is, in paraphrase:

"The mission of the local newspaper is to provide citizens with responsive, original reporting on issues of relevance to their community. Unfortunately, we were unable to remain competitive in the face of competition from the internet."


The problem is, both statements can't be true. If Craigslist beat you at your own game, then your game was not journalism. Sure, their business model was broken. Well, welcome to the century. If these companies had so much faith in the product they were selling to readers, they could have monetized that value. People will gladly pay for a newspaper - Ask any 7-11 cashier. But the industry didn't make any effort to change the game, ever. Readers were the product, not the customer. They assumed that people would buy the paper, no matter how hard it became to find the news content (or for that matter, the funnies) beneath all the ads, or how many local reporters they dumped in favor of one more wire-service column - and they were wrong.

In short, they died because they offered so little to the reader, they lost relevance to advertisers. Only, now they're crying about all of us local non-subscribers, who just didn't love democracy enough to support our local paper. Is anybody else offended by that?
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 Hey, that new Star Trek movie is awesome. I was skeptical, but I enjoyed every minute of it. The cast is excellent, the story is great, and it moves like a house on fire. It was criticized by a lot of hardcore fans for being a break with tradition, but it hit me, in the first five minutes of the movie, that this isn't necessarily a bad thing. I thought it was true to the things that make Star Trek enjoyable, but it also asked for very little patience from the viewer, and didn't go entirely overboard with fanservice. I highly recommend it.

I had the pleasure of watching it last night with Rebekah,* who is both a movie buff and a trekkie, so I couldn't have picked a better Statler to my Waldorf. 


*: Cf. entry dated May 14th; incredibly cute...
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Yeah, I'm kind of on a kick, this week. This is a very simple 'freehand' example of a tesselation, one of the really hard kinds of origami. The good news is, they always look awesome in photographs.

Welcome, three-day weekend!

Tunes!

May. 17th, 2009 02:40 pm
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Why didn't somebody tell me I'm now THREE BLOCKS from the new Zia location?? Anybody? And you call yourselves minions. :P I haven't written anything about music in a while anyway, and I've missed it - so here are two quickies on songs that have demonstrated some staying power, at least in my head.

First: I heard a phenomenal track by Twelve Rounds, a couple of months ago, on a mix CD that Matt got from Candice. She threw it on because she thought the vocalist sounded a bit like Jessicka from Jack Off Jill and Scarling. While I can hear the resemblance, my first thought was, honestly, Britney Spears' Toxic. That moment of 'dark pop' earned itself a lot of closet fans, myself included - not Jarboe spooky, but definitely more The Addams Family than The O.C. If you've been quietly craving a track that un-ironically combines some boppy energy with some nice, transgressive growl, you just might agree that Sunshine, from My Big Hero, is the jam of the fucking summer.
(Summer of 1998, anyway. If you didn't hear it then, just pretend it's new - Ten years haven't aged this record a day.)

Second: I remember going quietly nuts, as the curtain rose at Peter Murphy's House of Blues show last year, trying to figure out what song was playing on the P.A. (That droning loves me; loves me not; loves me; loves me not.) It was obviously a Bauhaus recording - I pegged it as an outtake from the Sky's Gone Out sessions, but I was half wrong. It was, in fact, Zikir, the closing track from their 2008 album Go Away White. Apparently, that was their 'last reunion record, ever, we promise, for real this time' album, but I'll take that with a few grains of salt.
I had an interesting talk with the clerk at Zia about Bauhaus - he's a fan of dub beats and moody 80's goth, but somehow, nothing on the Bauhaus catalog quite interests him. I can't argue with that - you either like them or you don't. Zikir is as good an example as any of what divides people over them. It's a drone, not a jam; more poem-with-drums than song-with-poetry. But for the moments when that drone hits you just right, there's nothing else quite like it.
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There's a change in our culture since 9/11 that often strikes me as an unmarked loss: The word hero used to mean a person who had accomplished something especially valorous or inspirational. And shortly after - I could probably pinpoint the day, if I had to, it changed and split into two phrases. Our heroes is now shorthand for a certain group of professions (police, military, firefighters,) and hero, all by itself, seems to mean someone willing to subscribe to a certain new idea of civic responsibility. A lame idea, at that - one where a bumper sticker or a rubber bracelet is considered 'action', and where we pretend that meaningless curtailments of civil rights are okay, as long as they make people feel safe. Call it civil obedience, if you like. But I'm offended to see a perfectly good word misappropriated.

I'm especially reminded of this, a few times a year, when I donate blood. 'Hero' is the catchword of their marketing campaign to potential donors, and it really grates on me. I don't mind cheapening the word to include me, per se, but 'someone who bleeds when you stick them' is setting the bar a little low.

On the plus side: This incredibly cute waitress gave me her number when I was out for dinner, and that cheered me right the hell up. So, a pint low and seven digits richer. I'll call it a day. :)
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